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The first part of this example uses one of the same patterns heard in page 1, where the A on the 3rd string is bent up to the B, then the B on the 2nd string, and then the high E. At the end of measure 1, there's a bend of the high G first to the A, and then half that, up to the G#. The second half of measure 2 into the first part of measure 3 is a classic Stevie Ray line...

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